My spells are now broken,
I have no magical powers, only my own
Which are weak.
You guys can imprison me on this island,
Or you can release me to Naples. Please don’t
Imprison me here
With your magic spells. Release me
So I can return to being Duke
With your help.
Your applause
Will fill wind within my sails. Without applause,
I have failed to entertain you.
I have no spirits to enslave now,
And I don’t have any spells to cast,
I’ll be depressed,
Unless I’m relieved by prayer,
Which wins over God himself
And forgives all sins.
Just as you’d want to be forgiven,
Forgive me and set me free.
This is quite an interesting speech given by the
wizard Prospero at the end of Shakespeare’s The
Tempest. It is the epilogue to end
the play, so it sort of wraps the whole story up. Prospero notes that his powers are gone now
that he has broken his staff and decided to return to Milan. This means that he finally gained some
closure with Antonio and is ready too ‘bury the hatchet’. He has also revealed earlier to Miranda his
daughter where she comes from and even allowed her to be with a man. This symbolizes that Prospero knows that it
is time to move on, he can’t stay bitter on that lonely island forever,
imprisoning his daughter and himself. It
should also be noted that Prospero breaks the fourth wall which is common in
the ending monologues of Shakespearian plays (Midsummer Night’s Dream for example with Puck breaking the fourth
wall and addressing the audience directly).
Why Shakespeare does this? One
can only make educated guesses as to the purpose. Mine would be that Shakespeare does this to
give things a nice little bow atop the present, a few sprinkles upon the
cupcake, there isn’t a real need for it, but it ties things together nicely and
makes it seem more complete.
Once could argue that most of theater is "sprinkles on the cupcake," but the genius of Shakespeare is that these little recycled stories live on due to the power of his language. When you mention Prospero's power being gone, it's important to note that he's renouncing it purposefully--how might that choice connect to Shakespeare?
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